More than a Man in a Monkey Suit: Andy Serkis, Motion Capture, and Digital Realism
This essay examines the design and performance of the title character of King Kong in Peter Jackson’s 2005 remake, as well as their decision to expose their behind-the-scenes work in publicity material, online production diaries, and DVD special features. I argue that these ancillary materials do more than just promote the film; they also introduce […]